Both the 3.24CL and 3.24CL-d were developed for smaller audio systems requiring fewer inputs and outputs without sacrificing sonic quality. Either version is a three input/six output digital signal processor capable of precise control of a broad range of audio functions. The...

Both the 3.24CL and 3.24CL-d were developed for smaller audio systems requiring fewer inputs and outputs without sacrificing sonic quality. Either version is a three input/six output digital signal processor capable of precise control of a broad range of audio functions. The...

Four Inputs and Eight Outputs allow you to distribute audio from a variety of sources to multiple locations, the Protea System II 4.24D Digital Distribution System Processor has all the audio processing tools needed for precise crossover and sound control. Each input allows...

Full control of the 4.24G is accomplished from the front panel in an intuitive and straight-forward layout. It's like using your old analog equalizer, only with extra features and benefits to simplify your audio chain requirements. Housed in an all-steel 2RU package, the 4.2...

The 4.24GS allow for the installation of multiple channel graphic equalizers where tamperproof, sound shaping equalization is required. Control and programming of either product is easily achieved from the 4.24G Main Unit, 4.24RD Remote Control, through the use of Ashly's ex...

The 4.24RD is a full-function remote controller used to facilitate changes to the 4.24G, 4.24GS and 2.24GS via two standard mic cables. Cable length can be up to 1000 feet. The control buttons and display are an exact replica of the front panel of the 4.24G, allowing you to ...

The CLX Series compressor/limiters use an "infinite soft-knee" characteristic and timing based on compression ratio. This, combined with a dual release time, allows program density to increase as the input signal increases. The result is a peak controller with very...

The Ashly GQX models are designed to be significantly quiet without the need for noise reduction to be built into the equalizer circuit. Double-sided circuit boards with ground plane design are used in the filter sections for improved RFI and electrostatic immunity. Precisio...

The Ashly LX-308B is a true stereo eight channel line level mixer (it may also be used as a sixteen channel mono mixing unit). The LX-308B can be used on its own any time stereo line level sources need to be combined together. Some typical applications for the LX-308B would ...

The same exacting filter design and summing circuitry of the GQX Series equalizers are utilized, with each filter exhibiting true constant Q response. The center detented position of every fader acts as an on/off switch for its filter. (to minimize any possible degradation t...

The center detented position of every fader acts as an on/off switch for its filter (to minimize any possible degradation to signal noise levels). Even the faders themselves put the MQX-2310 into a class of its own. Instead of the 20mm plastic faders typically used by the co...

Connecting and controlling an amplifier for networked systems has now been simplified with Ashly's NE Series amplifiers. Network Enabled (NE) amplifiers offer ease of use, setup and control using standard 10/100 Ethernet protocol and Protea NE Software. No special outboard c...